Lembas wrote:
Welcome to AU Laineth. What an entrance!
I really like your essay, its a beautiful defence of Arwen and really highlights that she is a necessary and caring character.
Thank you!

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I disagree with the original essay, Arwen is certainly not cold and selfish, and I think she is a necessary character, for the reasons you outlined. But I don't particularly like or dislike her, I find find a bit her problematic. On the blog Ladies of the Rings the author was asked "who is a bigger mary sue luthien or arwen?" and replied "Luthien, obviously. Arwen doesn’t do anything." I don't think this is strictly true (as your essay shows) but then the question does highlight how passive Arwen is. It also seems like Arwen
Like Arwen... what?
A couple of things here, and I'll try to keep this short. You're hitting at a deeper issue that bothers me greatly when it comes to current thoughts in society.
I don't find Arwen to be a problematic character at all, but I do find the ways people commonly interpret her as very problematic. I'm guessing you're talking about Sandra Miesel's piece? I have huge problems with her assessment of Arwen.
In short, what you're hitting at is one of the most pervasive parts of 'feminism' – which is actually very anti-feminist (and to make things clear, I am a feminist. But over the years I've noticed that a lot of our staunchest enemies also call themselves feminists).
Let's go back a step.
Ignoring the fact that neither Luthien nor Arwen meet the requirements for a Mary Sue, let's talk about the other part. They say Arwen doesn't do anything, you say Arwen is passive.
Let's look at that. Passive means “accepting or allowing what happens or what others do, without active response or resistance.”
It's essentially the same thing. Arwen does nothing to assert herself, influence events around her, or change her place in life. She is, in short, a trophy bride.
Except that's so much not true, it's not even funny.
I'm going to quote Sandra's piece:
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The concluding installment, The Return of the King (2003) devises another bit of initiative for Arwen. She requests the reforging of Aragorn's broken ancestral sword to enhance his manhood, aid his military prospects, and strengthen his claim to his throne. The written text has her engaging in a more conventional feminine pursuit -- embroidering his royal banner. In the film, Arwen herself brings the banner to Aragorn's coronation, but it's not specified as her own handiwork.
In the book, the standard does the
same exact thing the sword does in the film. Except when it's a sword, people take notice; when it's a standard, people dismiss it as she made him a banner.
No, she
didn't. She made a very powerful magical object that has the ability to sway the dead.
However, a standard is more feminine than a sword. And so it gets dismissed and ridiculed as nothing.
This brings me to what is actually very anti-feminist. Feminism means “the advocacy of women's rights on the grounds of political, social, and economic equality to men.” Equality. Equality and the right to be
who we are without being judged or stereotyped.
And yet, lots of feminists perpetuate masculinity (and thus misogyny) as the ideal. A 'strong female character' is one who hits people or uses a weapon. I am
constantly told by others that I am not a feminist, because I like dresses and skirts. I am told that there is
nothing natural about femininity, that it's all a performance. Feminist M. J. Kramer refers to Eowyn as “the warrior and the wimp”, and talks about how irreconcilable they are.
Even the blasted
dictionary associates feminine with weak. And it's not just women who are hurt by perpetuating masculinity, as
this video shows.
“Get Your Anti-Femininity Out of My Feminism” is a clear and poignant article that I agree 100% with. It really says something that in the past it was okay to be a stay-at-home mom and not to be a stay-at-home dad, and now it's not okay for
either of them to stay at home!
Back to Tolkien. Why do we say Eowyn is a strong character, or Galadriel? 'Eowyn killed the Witch King!' I hear. 'Galadriel is super powerful and threw down the walls of Dol Guldur!' I hear.
More stereotypical masculinity. Now, I love Eowyn and Galadriel. They are amazing characters. But this is
so harmful.
Back to Arwen. She spends 10 years making an extremely powerful magical object. She makes sure Aragorn gets the Elfstone. And in doing so, she cleverly manipulates the dead and the living into recognizing and accepting that Aragorn is their king. Then she makes
another powerful magical object, with the ability to heal, and makes sure Frodo has it and the chance of true healing in Valinor. All unasked for. She's asserting herself and doing everything she can to make a difference.
She also has the inner strength to go against her fathers wishes and choose mortality, because she knows it's the only way she'll ever be truly happy. And when Aragorn and everyone else starts to doubt, Arwen's hope and faith stays strong.
She has so much inner strength, I cannot help but be amazed.
The other part of this is that so many people criticize and ridicule the “warrior-princess” Arwen in the FotR film. Like it is completely out-of-character for Arwen to go out looking for her lost lover, know how to wield a sword, and defy the ringwaiths (like she defies the Shadow). She's not a helpless lily or a trophy bride just because she's feminine! And as if Elrond would deny his daughter self-defense skills! (and that's why the film did it perfectly, as they didn't put her into battle).
The Arwen who has the strength to say 'You won't touch him' is the same Arwen who has the strength to fight for Frodo to go to Valinor.
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I feel she doesn't make a choice or take action without it being influenced in some way by Aragorn. She makes the banner for Aragorn, she passes the Elessar onto Aragorn, she for forsakes her immortality for Aragorn, and it's implied that she was hopeless against falling him in love with him and effectively had no choice at all. Yes she gives the white stone to Frodo and her place in valinor, but she's again making a choice because of a male character. It just seems like she has very little personality beyond her love for Aragorn, and to a lesser extent Elrond, and though she is influenced by Galadriel this has little impact.
I wouldn't say she was hopeless against falling in love with Aragorn, more than any of us are. After all, we don't usually choose who we fall for. Also, it's a stylistic choice – Tolkien loves love at first (in this case, second) sight. She was attracted to him, and fell in love with him in the four months they spent together (and we see her seriously consider the matter of choosing Aragorn or her family).
Aragorn and Frodo are both main characters. It's not so much a question of her personality, but the fact that she is a side character. We get several references that she's smart and has a sense of humor, but we don't really get more than that, because it's not her story.
Let's switch it for a minute. Let's say Arwen is the one in the Fellowship, fighting to reclaim her birthright; and Aragorn is doing his duties to his people at Rivendell. We get to know Arwen very well, she's compassionate, wise, and a great leader; and we learn that Aragorn made/gave several powerful objects to her to manipulate the people to her side, giving her nothing but his love and support.
Would we say that he's nothing beyond his love for her? No, because it's assumed he has a personality we didn't get a chance to see. He's a man, he has a sense of self beyond his lover. We're back to the misogyny.
To quote the
“I Hate Strong Female Characters” article:
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No one ever asks if a male character is “strong”. Nor if he’s “feisty,” or “kick-ass” come to that.
The obvious thing to say here is that this is because he’s assumed to be “strong” by default. Part of the patronising promise of the Strong Female Character is that she’s anomalous. “Don’t worry!” that puff piece or interview is saying when it boasts the hero’s love interest is an SFC. “Of course, normal women are weak and boring and can’t do anything worthwhile. But this one is different. She is strong! See, she roundhouses people in the face.”
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What happens when one tries to fit other iconic male heroes into an imaginary “Strong Male Character” box? A few fit reasonably well, but many look cramped and bewildered in there. They’re not used to this kind of confinement, poor things. They’re used to being interesting across more than one axis and in more than two dimensions.
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And what happens when we talk about characters that don’t even fit the box marked “hero”? Is Hamlet “strong”? By the end of the play, perhaps in a sense he is, but it’s a very specific and conflicted form of strength which brings him peace only at cost of his life. Richard II, on the other hand, is not only not “strong”, he’s decidedly weak, both as a human being and a king. Yet some of the most beautiful poetry in the language, the most intricate meditations on monarchy, are placed in this weakling’s mouth. He has no strength, but he does have plenty of agency. The plot of the play is shaped around his (often extremely bad) decisions. In narrative terms, agency is far more important than “strength” – it’s what determines whether a character is truly part of the story, or a detachable accessory.
[cut]
That a female character is allowed to get away with behaviour that, in a male character, would rightly be seen as abusive (or outright murderous) may seem - if you’re MRA minded, anyway – an unfair imbalance in her favour. But really these scenes reveals the underlying deficit of respect the character starts with, which she’s then required to overcome by whatever desperate, over-the-top, cartoonish means to hand. She’s in a hole, and acts that would be hair-raising in a male character just barely bring her up to their level. The script acknowledges and deplores the sexism the character faces in her very first scene – but it won’t challenge the sexist soldier’s belief that women don’t belong in this story by writing any more women into it. Not women with names and speaking parts, anyway.
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I also don't find her particularly conflicted, as I said above it seems she's powerless against her love for Aragorn and is doomed to suffer a life without him, or the loss of her people and it seems that the difficulties of being a foreign queen in a new kingdom are vastly outweighed by the happiness of being with Aragorn.
Wouldn't that make her extremely conflicted, though? She either loses her lover or her family, and she loves both with all her heart. The text makes it clear that this was an excruciatingly painful and difficult decision for her.
As for her people, that is probably what she reminds herself of when it gets too overwhelming. That no matter how strange and alien these people and their culture are, she's with Aragorn, so it's worth it. That doesn't make the strange and alien people and culture easy to deal with.
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In a way I think its slightly understandable, Arwen is a parallel of Luthien who is a tribute to Tolkein's wife Edith, who he clearly adored but unfortunately somewhat put on a pedestal, based on the fact he couldn't propose until he turned 21 ( proved himself). LotR was also written in the 50s which had very pointed views on women's roles, but I just find it frustrating that in a series where we get some great and interesting female characters, who don't fit the 50's dictate, Arwen is a little bit disappointing.
Disappointing because she's more traditionally feminine? See above.
